Aquarium Drunkard: Play It as It Lays
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Happy Birthday Elliott Gould

Elliott-gould-long-goodbye

Happy Birthday to one of the all-time greats and one of the coolest of the cool Elliott Gould.

From my 2019 New Beverly interview with Elliott Gould about The Long Goodbye -- on working with Sterling Hayden:

Elliott Gould: You know the history was that Bob cast Dan Blocker and then Dan Blocker died and it was almost the end of the picture. And then I thought about John Huston, but then Bob cast Sterling Hayden. And I asked to meet Sterling Hayden; I just wanted to sit alone with him. And in a dark room in the house that Bob had been living in…
 
KM: The house in Malibu…
 
EG: Yes, which was the Wade House [in the movie]. I was in a room like this, and he had recently come back from Ireland where he had some work with R.D. Laing… and so I knew that Sterling knew that I knew that Sterling knew that I understood him… So, at one point when we were in Pasadena working at the sanitarium where we find Sterling Hayden in that cottage that he’s in with Henry Gibson (you know, that specific cottage was where W.C. Fields lived the last part of his life…), And when Altman would be stressed… Sterling would say to me, I don’t know how he phrased it exactly, but, “Is the old man giving you a hard time?” something like that… And I said, “A little bit.” It didn’t have to do with the work but it probably had to do with my response to what Bob needed, and I’m always looking for something. And Sterling said, “Just vamp.” [And] what does vamp mean? It means, to hold time, meaning, when you vamp with music, you hold time.
 
KM: Sterling Hayden and you … your chemistry together is beautiful.
 
Lgbye73-cl1-pants
 
EG: And the kind of man that he was! That scene where we’re sitting down and [having the drink] … Bob had designed it so that the camera is circling the two of us. And we couldn’t even know whether it would be able to be edited, but I didn’t have any doubt, and I don’t think that Bob has doubt, and so we did that with the aquavit.
 
KM: And part of it was improvised?
 
EG: I knew there were certain pieces of information that had to be in that scene so I could help with that [improvising], otherwise it was just about getting to know and see this relationship between these two different generations of men, and that was pretty amazing…

Read the entire interview here.

 

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