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August 2015

The September Issue: John Waters

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The September cover of Sight & Sound features my interview with national treasure John Waters. The BFI is doing a series on Waters, showing every single one of his films and Waters programmed ten of his favorite British films for the series as well. Yes, Joseph Losey’s gloriously insane Boom! will be screened, and we talk about it.

We also talk nuns, Pasolini, Diane Arbus, the magnificence of Ike & Tina, watching Bergman on acid and more… Pick up a copy and check out more here.

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BBC 100 Greatest American Films: My List

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This was not easy. The ten greatest American films of all time? I can't pick a mere ten! So when the BBC asked me, among 61 other film writers from around the world, to contribute to their 100 Greatest American Films list, I said yes, knowing I'd be second-guessing every damn decision. I wrote my first list with both thought and gut instinct. I looked it over and over, labored over changes, what was missing, went back and forth and then, decided: these stay. I'm not thinking about this anymore. Since the BBC emphasized choosing movies that weren't simply "the best" but also favorites, movies that stick with you personally and emotionally, that made it easier. Or harder? God, I don't know. I do know that I have seen these favorite pictures multiple times, some too many times to count, some because, to quote one of the chosen, "it feels so goddamn good!" And, all, I believe, are masterpieces. 

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So, argue with me and I'll probably agree (No Sirk? No Fuller? No Lubitsch? No Lang? No Cukor? No Wellman (Wild Boys of the Road almost made the list)? No Borzage? No Welles? No Ray? No Mann? No Keaton? No Stroheim? No My Darling Clementine? No Sternberg-what-the-fuck-is-wrong-with-me? No Hitchcock's Marnie?) I know! I'm hitting myself too!

Here, from the BBC:

"America’s films are among its greatest exports. Since Thomas Edison’s innovations in the medium in the 1890s, the United States has consistently been a powerhouse in the development of cinema – from the massively popular entertainments of Hollywood to independent and avant-garde film. In recognition of the astounding influence of the US on what remains the most popular art-form worldwide, BBC Culture has polled 62 international film critics to determine the 100 greatest American films of all time...

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"What defines an American film? For the purposes of this poll, it is any movie that received funding from a US source. The directors of these films did not have to be born in the United States – in fact, 32 films on the list were directed by film-makers born elsewhere – nor did the films even have to be shot in the US. Each critic who participated submitted a list of 10 films, with their pick for the greatest film receiving 10 points and their number 10 pick receiving one point. The points were added up to produce the final list. Critics were encouraged to submit lists of the 10 films they feel, on an emotional level, are the greatest in American cinema – not necessarily the most important, just the best."

Here's my personal list:

Scarface: The Shame of a Nation -- Howard Hawks (1932) 

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Bring Me the Head of Alfredo Garcia -- Sam Peckinpah (1974) 

 

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The Unknown -- Tod Browning (1927)
 
 
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Inherent Vice -- Paul Thomas Anderson (2014)
 
 
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Gold Diggers of 1933 -- Mervyn LeRoy and Busby Berkeley (1933) 
 
 
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Two-Lane Blacktop -- Monte Hellman (1971)
 
 
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The Night of the Hunter -- Charles Laughton (1955)
 
 
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 Dr. Strangelove -- Stanley Kubrick (1964)
 
 
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California Split -- Robert Altman (1974)
 
 
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Kiss Me Deadly  -- Robert Aldrich (1955)
 

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And here's the entire list, the top 100 from the BBC. Number 100 is a good place to start and a picture I almost chose, Billy Wilder's Ace in the Hole... 

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